Velika Furni ugaona sofa 340 puta 200 centimetara u prirodnoj koži sa patinom

FURNI DESIGN STORIES / 05

Leather that does not stay the same.
It becomes yours.

340 × 200 CMMADE TO MEASURESOLID WOOD / FEATHER / NATURAL LEATHER

A MATERIAL THAT LIVES

It was not made to look
new forever.

This leather was made to grow more beautiful with every touch, fold and year of use. Its surface records light, touch and daily life, so each sofa gradually develops its own patina, shades and character.

That is why no two pieces are exactly alike. Variations in tone and natural grain are not flaws to hide, but qualities of a material that ages with dignity.

Finalna Furni kožna sofa po meri u luksuznom dnevnom boravku
01 / 02The finished 340 × 200 cm composition. The width, depth and relationship of every segment can be adapted to the room, with a fresh check of proportion and construction.
Duboka ugaona sofa od prirodne kože sa perjanim jastucima
02 / 02A low profile, deep seat, generous feather filling and naturally changing leather create a piece that never tries to look factory-identical.

FROM DRAWING TO THE FINAL STITCH

A demanding piece is not made
by a single craft.

This sofa requires more than a good cutter or upholsterer. It takes designers, joiners, leather cutters, sewing specialists and upholsterers who understand how every decision carries into the next stage. Great depth, long seam lines, heavy leather and feather filling leave very little room for later correction.

Ilustracija izrade masivne drvene konstrukcije velike Furni sofe po meri
Illustration of the production process
01 / SOLID-WOOD CONSTRUCTION

A large sofa begins long before the leather.

In a 340 × 200 cm composition, every segment must carry its own load while the whole remains stable and precise. The supporting structure is therefore developed in solid wood, with reinforcement around joins, armrests and deep seats. Each element can be adapted to the room, but any dimensional change requires a fresh check of proportion and load capacity.

Ilustracija slojeva udobnosti sa No-Sag oprugama, gurtnama i HR penom
Illustration of the production process
02 / NO-SAG SPRINGS / WEBBING / HR FOAM

Softness without support soon becomes fatigue.

Highly resilient No-Sag sinuous springs in high-carbon steel and correctly tensioned webbing distribute load across the seat. Above them are zones of high-resilience HR foam at 45–55 kg/m³. Firmer layers stabilise, more elastic layers follow the body, and final softness is added only above them.

Ilustracija ručnog krojenja prirodne kože po šablonima i preciznog šivenja
Illustration of the production process
03 / PATTERNS / CUTTING / HAND SEWING

Natural leather has no eraser.

Every hide has its own stretch direction, pore pattern, natural marks and tonal variation. An experienced craftsperson first lays patterns across the whole hide, chooses the position of each panel, then cuts and matches the surfaces that will sit together. Stitch length, thread tension, piping and every join must align — a needle hole, once made, is permanent.

Ilustracija obilnog perjanog punjenja raspoređenog u unutrašnje komore sofe
Illustration of the production process
04 / GENEROUS FEATHER FILLING

Feather creates depth that foam alone cannot.

A generous quantity of feather is divided into separate chambers so the filling cannot migrate to one side. The feather top layer and richly filled back cushions create the deep, relaxed seating feel and natural folds that belong to this model. Feather does not carry the structure — it is the final, softest zone above the springs and HR foam.

Ilustracija završne kontrole šavova, kože i povrata sedišta Furni sofe
Illustration of the production process
05 / FINAL INSPECTION

The final inspection is not a formality.

Before the sofa leaves the workshop, we check the segment joins, piping consistency, seam direction, seat recovery after pressure, feather distribution and the way the leather behaves under light. On a piece like this, an error of a few millimetres can repeat across more than three metres, so the final decision belongs to craftspeople who understand the entire process.

The production scenes in this story are visual illustrations of the making stages. The finished photographs show the final product in its interior.

MATERIALS AND COMFORT SYSTEM

What cannot be seen determines
how the sofa will age.

01

Solid wood

A load-bearing base for a broad span, deep seats and daily use. Segments can be dimensioned separately, but every join remains part of one structural whole.

02

No-Sag sinuous springs

Highly resilient high-carbon-steel springs distribute load and allow the seat to respond without a hard impact against the base.

03

HR foam 45–55 kg/m³

Different densities and levels of resilience create stable, transitional and comfort zones. Density is not the same as firmness; the layers are selected as a system.

04

Generous feather, chambered

Generous filling creates depth and a relaxed look, while separate chambers maintain even distribution and make daily cushion shaping easier.

05

Natural leather with patina

Touch and folds change the surface tone. Instead of plastic uniformity, the leather develops shades and marks that make the piece recognisably yours.

06

Experienced hands

Pattern placement, hide direction, long seams and filling quantity are judged by hand. That is why a piece like this cannot be rushed without sacrificing quality.

WHY IT IS DEMANDING TO MAKE

Every layer must work
with all the others.

On a sofa of this scale the structure must remain stable, the seat resilient, the feather even and the long leather lines visually calm. Natural leather does not allow random cutting, while generous feather filling requires precise chambering. Its value therefore lies not only in the visible material, but in hours of decisions, matching, test assembly and inspection.

  • 340 × 200 cm in the shown configuration
  • each segment can be modified
  • solid wood / springs / HR foam / feather
  • hand-cut and sewn leather

FURNI DESIGN / MADE TO MEASURE

No two pieces are
exactly alike.

The proportions are adapted to the room, the natural leather is selected and cut for the individual piece, and the patina continues the story only once the sofa begins to be used.
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